Tuesday, November 30, 2010

mannerism: middle child syndrome?

When anyone with the slightest knowledge of art hears "Florence" they (rightly) think of Renaissance art. And yes, it's one of the main reasons I decided to spend my semester here, apart from the appeal of Italy in general. But today I spent most of my time with Mannerist masterworks. Sorry, but my inner art history nerd is about to emerge. Please indulge her for just a few moments.


This is Jacopo's Pontormo's Entombment, dating from 1528, which I saw inside the church of Santa Felicita today. The church is slightly hidden despite it being literally a stone's throw from the Ponte Vecchio (probably the most iconic image of Florence apart from Brunelleschi's dome, and very close to my apartment). It's one of the oldest churches in Florence; I'm pretty sure San Lorenzo is the only one that has it beat. I had not yet ventured inside this church, though, simply because it's somewhat tucked away and because it's not on the list of churches with "must-see Renaissance art." However, this Entombment is pretty famous, and it was wonderful to see in person! It's found inside the 15th century Barbadori chapel, which is on your immediate right when you first enter the church. The chapel was designed by Brunelleschi (Brunelleschi is to Florentine architecture as Bob Dylan is to American music-when in doubt, Brunelleschi built it or inspired it just like Bob wrote it or influenced it). When I was first exposed to Renaissance art (thank you Julie Mattox) I had a hard time distinguishing between it and Mannerism (which grew out of High Renaissance art). But now that I've seen so much of both up close, it's hard to believe I was ever confused. Mannerist paintings are characterized by odd, irrational settings, strangely bright, atypical color palettes, collapsed perspective, and theatrical lighting. (Yadda yadda yadda...yawn. I know. Sorry if I'm sounding pretentious or boring. This is really more for my memory than anything else, and I'm not in the mood to write in my journal/notebook right now because after an exam today I think I have carpal tunnel.) I'd heard this all before, but it still was difficult to make the distinction. But when I stood in front of this work today, all the defining elements of Mannerist pieces were obvious. The bodies just seem so airy and floaty (to put it in uber-technical, legitimate art historical terms). But really, they're light and seem wispy (again with the technical terms, sorry if I'm speaking above your comprehension level, LoLz) compared to Titian's fleshy forms or Michelangelo's super muscular, "robust" figures. And as for the color scheme, after spending the semester in a city flooded with Renaissance works, seeing this almost pastel-like palette just felt odd...in a good, this-is-different kind of way.

One of my favorite (and among the most well-known) Mannerist works is housed in the Uffizi-it's Parmigianino's (hahaha, I always think of cheese when I see the name. Mature, I know) Madonna with the Long Neck (1538). Check out this gloriously weird giraffe-neck action, in addition to the long and lanky baby Jesus:


There's also a special (and seriously publicized) exhibit currently going on at Palazzo Strozzi, which is right along Via de Tornabuoni, a street I walk on every day, and today I FINALLY visited. It's an exhibit about Bronzino, who is a famous Mannerist (fitting with the theme of this post, see?) and was the most important painter of the Medici court until he was replaced by Vasari (that Vasari...Lives of the Artists Vasari) in some-date-I-can't-quite-remember. Anyway, I knew very little about Bronzino beforehand so it was hard to fully appreciate lots of the exhibit's details, BUT I DEFINITELY loved seeing this famous portrait of Eleanor of Toledo. It's normally in the Uffizi, but when I saw it there a while back, it was positioned way high on the wall (y'all.) So...it was difficult to realize just how fantastic little Bronzi is at rendering texture. I was in awe when I saw this on eye level. The curvilinear black-ish design on her dress looks like velvet you could touch when you stand in front of it. It's insane how elevated and real it looks. Same for the gold in the middle; Bronzino is so good at faking the "sewn-on" look that this literally looks like a Girl Scout patch:


Okay. Sorry if you were expecting a fun, pithy little update. I just had to put this in writing so I could remember later. Normally stuff like this would go in my notebook/journal/art hist. textbook BUT I just didn't feel up to picking up a pen. Weird how typing is easier.

Monday, November 29, 2010

oh, plumbing.

Tonight Franca explained to me that she was going to need to use my shower tomorrow morning. It'd been a long day, and my brain was a tad exhausted, so when she kept motioning toward my bathroom while furrowing her brows, I misunderstood and thought she was telling me that I was not allowed to shower tomorrow. I was very confused by this. I quickly figured out my mistake, though, and then she began giving me a grand tour of every nook and cranny of the apartment that was being affected by some sort of plumbing-system damage caused by the transgressions of a "new pipe." This was about all I got. I don't understand the ins and outs of pipe systems (or household utilities in general) in English, much less in Italian, so when Franca was going on and on about leakage and such in Italian, I had to do my best to understand only through her gesticulating, her facial expressions, and her occasional use of expressions of general frustration. Midway through her explanation of a leak in the laundry room, she began dramatically throwing her arms in the air, then pulling imaginary weight toward her as she described the indoor "waterfall" with which the upstairs portion of the apartment is apparently plagued. And then I did the most inconsiderate thing. I laughed. Continuously. I couldn't stop it or control it in any way. I felt terrible, but Franca was just cracking me up. All these giant gestures and loud exclamations were coming from this small, sweet woman, and she was cursing the apartment and the system, yes, I got that much, but I really couldn't comprehend these details she was trying to get across. Barely able to speak, I breathily apologized for laughing, but before I could complete my sentence, Franca was already laughing and throwing her hands up as if to say, "Oh well, what can you do?" Such a universal sentiment. We cracked up for a good minute together before Franca finally caught her breath and then reiterated that she would need to use my shower tomorrow.

In short, I love everything about my homestay, plumbing disasters and all.

Wednesday, November 24, 2010

Il mio viaggio a Madrid!!!

This weekend I ventured to glorious Spain for an extremely brief but unbelievably fun and exciting trip. Back in Lido (wow, do you "readers" even remember those gloomy days of orientation lockdown in Hotel Colombo? Because I barely do) I booked 2 tickets for an Arcade Fire concert in Madrid; at the time I was ridiculously naive about Euro-transit and I literally thought that all European cities were connected by train and that traveling by rail directly from Florence to, say, Helsinki, would be perfectly feasible. In short, I was an idiot. But I knew that when I got to Madrid, I'd have someone to show me around (my adorable friend and current madrileña, Alexis.) AND I just loved the idea of going to see one of my favorite bands perform live in Spain.

I quickly learned that using my Eurorail pass to get to Madrid would pretty much be an impossibility. (For future reference, travelers: buy a global Eurorail if you are planning on taking an extensive Euro-trip, not if you are studying abroad in one place for a few months. Although I don't regret buying one, and I definitely enjoyed traveling by train, I didn't get my money's worth because I purchased a GLOBAL pass for all of Europe which is really only practical if you're going from place to place, i.e. Portugal to Spain, then Spain to France, France to Italy or Switzerland, and so on and so forth. I pretty much stayed confined to one area with my train travel-the furthest I went by train was Paris-because it's not exactly easy to get from Florence to, say, Amsterdam by train and back in a weekend and have ANY time there).
And by "impossibility" I really mean it was going to involve an insane amount of train switching, amounting up to over 22 hours. NO, GRAZIE. In the week leading up to the concert I questioned whether the travel expenses would be worth it for only a very short time in Madrid, especially when I had such limited time left in Italy. But of course live music is always worth it, and I knew it'd be an adventure.

SOOO my friend Lauren and I decided we were up for going despite limited funds and limited time in Spain. We were unable to travel together, though, because she was on a class field trip to Milan to see The Last Supper. So I was about to embark on a somewhat complicated and very indirect route solo. That morning I had to take a train from Florence to Turin to fly out of Turin. When I arrived at the Turin train station, I had to use my limited Italian skills to find out where the nearest bus/airport shuttle was because I wasn't about to fork over 35 euro for a cab to the airport that was a good 45 minutes away (thank you RyanAir.) I wandered around Turin, unsure of where I was really going and whether I'd actually understood the directions. On my way to the fermata dell'autobus I had to stop at an Internet cafe and print off my boarding pass. I finally found a bar where I could purchase a bus ticket; I boarded the super-crowded bus and was airport bound. I flew to Madrid and after landing, despite YEARS of Spanish study and placing into 300-level language classes freshman year, ALL I could summon after spending so much energy on learning Italian was ¿Hablas ingles? It was a bit disheartening and made me even more determined to keep up my Italian when I return home. It blows my mind how people like my Early Renaissance Art professor are able to speak NINE (NINE!!!!!!!) languages FLUENTLY when I can barely hold two in my head!!
After many twists and turns inside the airport (and walking in more than one circle, I think), I finally made it to the metro and was able to find the way to my hostel all by myself pretty easily. I have to say that Madrid's metro was the most impressive and efficient one I've ever seen. When I saw Alexis in Paris earlier in the semester, she was raving ridiculously about the wonders of underground transit in Madrid, and to be honest, I wanted to laugh (sorry Alexis); I'd never seen someone praise the subway system with such enthusiasm. But when I arrived in Madrid I quickly realized what all the fuss was about. New York, Rome, Paris, Vienna, London-none of the underground systems there are as efficient and clean as the Madrid metro. As this ad says, "The Metro that all want to have lives in Madrid." (I'm pretty sure that's what it says. As I mentioned, after this weekend I realized just how ridiculously rusty my Spanish skills are. Thankfully I can still SORT OF read it, though I apparently can't speak a word):



I have to admit I was molto orgogliosa of myself and the role I played as Little Miss Self-Reliant Navigator. One thing's for sure: after this semester I will never, ever, ever again be intimidated when traveling/driving within the U.S. The fact that I've ever been nervous about getting lost is literally laughable to me now. Dear God, it's ridiculous to even think that I could possibly be nervous when I AM A NATIVE ENGLISH SPEAKER!! And I'm a decent judge of the strangers I should and shouldn't talk to/ask for directions. AND I always have a cell phone readily available. But this semester I have ridden on an assortment of Planes, Trains, and Automobiles without a.) having any idea what anyone around me is saying b.) having a phone or internet access or any way of contacting important people c.) having any money apart from the bare minimum. Point being? Hey, wow, I can do things. I can rely on myself. My confidence has received almost daily booster shots while abroad.

Madrid was absolutely amazing and made me reconsider the definition of the word "vibrant." I don't know if I've ever been in a city whose energy and liveliness is SO palpable. You could just feel it in the air. I guess NYC is a lot like that, but it's a different kind of energy you can feel there-it's ambition, it's pursuit, it's American. If Madrid could talk...well, I don't think it would; I think it'd be too busy dancing or something. I'm not articulating this well, sorry. I have to admit our hostel looked a bit like an opportune filming location for a murder scene. However, the hostel was in a prime location within a few blocks of the Prado, our first destination on Saturday morning. We had very limited time in the Prado, which was lame, but all the more reason to come back, right? I was able to see plenty of masterworks I've studied. Obviously, seeing the famous Spanish works for which the museum is known was a highlight. I just stood and stared at Las Meninas for at least 15 minutes. It was HUGE! However, I think I might have been even more drawn in by Velazquez's The Drinkers. And though seeing these Spanish masterpieces was certainly a definitively "Madrid" experience, I was really excited to discover that the museum housed several Northern European paintings I never knew were there; two of my favorites, in fact-Hieronymous Bosch's The Garden of Earthly Delights and Rogier Van Der Weyden's altarpiece depicting the Deposition. Standing in front of the Bosch work allowed me to notice tons of details and ridiculous characters I'd never seen before. Lauren and I were talking about how difficult it was for us to believe that someone was subversive enough to paint this in 1500. The characters and scenarios within the work look almost like Salvador Dali meets soft porn. And as for the Van der Weyden altarpiece, this was one of the most stunning works of art I've ever seen; I was almost taken aback at how much it moved me. The palette is just so striking, and I'd heard professors say before that the figures seem to almost pop out at you when you stand in front of it (due mostly to its shallow space), but I realized, looking at it, just how true this is. The emotion in the piece is palpable. It took a lot for me to walk away from it!

I have to admit, the entire time I was at the Prado I kept flashing back to Mrs. Hester's class and those fine, fine episodes of Destinos. For those unfortunate non-Tupelo folks who are unfamiliar with this beautiful series: Destinos is a soap opera (of sorts) designed to teach Spanish, and it is pretty much the basis of the Spanish curriculum at Tupelo High. We'd watch an episode every week or so and then for that week, our readings, vocabulary, assigned writings, and whatnot would somehow be related to this episode and the cultural knowledge it imparted. Destinos followed the triumphs and travails of Raquel Rodriguez, a shoulder-pad-wearing, huge-'80s-computer-using lawyer based in Los Angeles who was sent out by a Very Sick Old Man named Don Fernando to uncover the story of Rosario, his long-lost love. I barely remember any of the details now, but the combination of the slow Spanish speaking, the ridiculous score and theme music, the heinous '80s outfits, and the colorful cast of characters made high school Spanish so much fun. Our classes always bonded while making fun of Jorge the mujeriego (I remember that word: womanizer) or the sordid relationship between Raquel and Arturo and the awkward affectionate scenes they acted out (anyone remember the 'Vegetable Faces?') Anyway, I'm getting way off track. There is one particular episode where some characters make a trip to the Prado, and the "hidden lesson" in the episode is all about Velazquez, Goya, El Greco, etc. SO naturally as I was wandering the Prado I kept expecting Raquel's left shoulder pad to bump into me as I was gazing intently at a painting. But sadly, this did not occur.

After a morning at the Prado, Lauren and I met up with Alexis. Making this happen ended up being somewhat difficult and we had to meet her on the metro stop nearest her house. However, seeing her was SO fun and refreshing. It was fantastic to be able to hang out with a Sewanee bestie, even if only for a short day. Alexis was a fantastic tour guide. She took us to a DELICIOUS place called Casa Mingo for lunch, where we ate AMAZING family-style chicken and croquettas and gulped down Coca Cola Light (it's starting to taste less like cat pee to me, finally, but I have to admit I'm still pumped to drink DC in a few short days). As she ordered for the table, I felt like a proud mama. Her accent was phenomenal, and to an untrained ear like mine she sounded like a native. Alexis, if you're reading this, you're definitely an inspiration for me to keep going with Italian! Throughout the whole day her Spanish-speaking self got us around the city and I was beaming with pride thinking of my friends all across the world right now and all they've learned and experienced. So cool!

Since we had only a few hours before the concert, Alexis just gave us a great walking tour of the city centre. We walked through Puerta del Sol and Plaza Mayor, the main square of Madrid where burnings and hangings where held in the presence of the king and his court during the Spanish Inquisition. Yeesh. Alexis also took us through a super lively and dynamic indoor market that reminded me a lot of Mercato Centrale in the San Lorenzo area of Florence, but with Spanish flair, obviously. A seafood vendor was selling the largest and creepiest looking fish I have ever seen in my life; it looked posed and ready to jump out and kill me at any moment. The thing literally looked like it could swallow me, Jonah-style. Later we went to get churros at a famous place called Chocolateria San Gines, a multilevel building buzzing with activity, Spaniards and (a few) tourists crowding around the counters, anxious to sample the hot chocolate with churros. When it comes to chocolate, these Spaniards don't mess around. It is dark, rich, and delicious. I dipped churro after churro in the chocolate and when I'd polished off enough fried batter I shamelessly spooned up the chocolate by itself, watching Alexis and Lauren with pity, who both seem to actually pay attention to when they're becoming full. Haha... "Full." That word has no meaning in my vocabulary. The churro place is open until 7 a.m., which is definitely reflective of Madrid's nightlife and its vivaciousness on into the wee hours.

Eventually we parted ways because Alexis didn't have tickets to the concert, and Lauren and I found Palacio de los Deportes just in time. The Arcade Fire was absolutely INCREDIBLE!!! And yes, I'm well aware that they would have been good anywhere, but half of what made this show so ridiculously good was the crowd. Spaniards have spoiled me for life now. They know how to attend a concert. The crowd was out of control, but not obnoxiously. Everyone was just so into it. No joke, I was yelping and squealing and tearing up during "Neighborhood #1 (Tunnels)." At one point Win Butler said into the mic that playing for Spain was playing for "the best @#^&!ing audience in the world." Now, yes, I'm well aware that musicians will say this to most any city they play in, but for once, I actually agreed. Normally I'm a big fan of intimate small-venue concerts, but this was one exception. Please check out the below video for evidence as to why it was so amazing:



After the concert I met up with Alexis again, this time accompanied by her IES best friend Kaitlyn. We went to Popolart, a small jazz club right near my hostel and ordered mojitos. This particular mojito would definitely be on the list of prettier drinks I've had, hahaha. People in Sewanee are not too big on beverage presentation. The closest thing you can get to "picturesque" is a pitcher of PBR at Shenanigans or communion wine in All Saints'. Not kidding. But I guess part of the reason this mojito was so pretty was because it cost 7 euro, aka about 3 hours of work at Stirling's.

We had to part ways pretty quickly because I had to catch a 3:25 a.m. shuttle to the airport in a van offered by my hostel (ridiculous, I know, but I wasn't about to pay for a cab, and my flight out was at 6 a.m. I know, I'm crazy). Before I knew it I was on the plane to Milan, where I'd catch a train back to Florence and sleep for the rest of the day.
For the first few minutes on the plane I had a row to myself, but eventually an Italian woman and her son Stefano scooted in. The details are a little hazy since it was barely 5:30 a.m. and I had not really slept in days, but I remember that Stefano was crying and from what I gathered from the woman's Italian words, he did not want to sit by me. He was making a scene so it was pretty embarrassing, and though I definitely wasn't looking my best at that moment, I didn't think I looked particulary scary or anything. I looked at him and volunteered, "Sono gentile," but he continued to wail. His mom apologized fervently and kept insisting that he was only tired.
Anyway, it's a good thing that this kid was crying. It kind of sucks that apparently I must look like a monster, but it's a good thing because it served as the basis for a great "conversation" (or, rather, an opportunity to practice speaking Italian) with this very kind lady. She asked me all about my studies in Florence and what I'd been doing in Madrid over the weekend. I was totally shocked that I was able to (sort of) form sentences in Italian at that ungodly hour, usually a time when I can't even speak coherent English. We bonded over the in-flight crew's terrible tendency to constantly make too-loud announcements, a shared love for Italian trains despite their flaws, our desire to learn each other's language, and the freezing temperature of the plane. Stefano this whole time was sleeping soundly in his seat, leaning his head on Mama Bear's shoulder. Too cute. When he woke up he was much kinder, and I'd prefer to think that he was just tired all along (no evil jokes, please).

The weekend was fantastic and well worth it, and now I am home in Florence, trying to savor these last few days I have here. :( It's very sad!!! But when I leave Italy, it won't be for too long. Count on it. Actual FLORENCE news and adventures and updates will follow soon.

Buona notte, belli amici,
Mary

P.S. Couldn't resist. Here is another Arcade Fire video-this is my favorite song of theirs and one of my favorite songs of all time, and I thought you all deserved to see the song that made me cry and squeal and generally act like a lunatic undergoing either an epileptic seizure or an ecstatic out-of-body experience. To borrow a phrase from the song itself, I do believe this is their true "golden hymn." Ciao kiddos.

Tuesday, November 23, 2010

il prossimo semestre

Today I made an impractical decision. I'm over that whole "getting ahead" thing; I'd rather do that whole "enjoying learning" thing. And so I'm officially registered for an Italian class next semester with Richardson, one of the Sewanee teachers at the top of the "Must Take" list.

Yay!!

Tuesday, November 16, 2010

dinnertime

Tonight I took Franca to La Mangiatoia, a really authentic, delicious, and inexpensive trattoria in the Oltrarno. Over "Supernapoli" pizza and gnocchi alla sorrentina we discussed everything from her family and regional Italian cuisine to the Madonna music that served as the soundtrack to our meal. Turns out Franca's a fan, as is the owner of La Mangiatoia, apparently, considering Madonna was playing ALL NIGHT.

Our waiter took a photo, but, surprise surprise, I'm unable to upload it into this post. Eh.

I am really going to miss "speaking" this language on a daily basis. (I put "speaking" in quotations because I feel like "grunting" or "burping" are more fitting words here than speaking. I'm still a beginner in every sense of the word, but I know SO much more than I did four months ago.) Can't wait to continue studying when I get back to the U.S... and to return to Italy in the future with improved sKiLlZ. I'm already envisioning my return, and I haven't even left yet.

I had class in front of Michelangelo's David today. This same class met in front of Donatello's David on Thursday. Whatever, right?

Buona notte!

Wednesday, November 10, 2010

oops.

On this depressingly rainy night in Florence, I would like to apologize for being the world's worst blogger. I had every intention of keeping my dear amici e famiglia informed on a beyond-regular basis. Seriously. Additionally, rather than giving you a weekly Zoo Tour style update of my activities, I'd planned on delivering pithy posts filled with zingers and quips to rival Blair Waldorf and Seth Cohen, respectively.

But, obviously, that hasn't happened, and I'm just as disappointed as you are. Those of you that still periodically check this, that is. (Hi Mama!) I've been lacking in the motivation department, at least in terms of blogging. I've kept a semi-decent journal that will be good for helping me recount stories when the semester ends. And I've taken tons of pictures. But when I've written in my free time over here, it's mostly been in the form of journaling. And, honestly, to motivate myself to write regularly, I had to purchase a molto bella creamy purple (yep, I said creamy) Moleskine (see: StuffWhitePeopleLike.com. I'm exactly the J. Crew-clad perpetrator they're talking about). It's much more inspiring than a Steno Pad, anyway. My "need" to buy a Moleskine for basically all the reasons that SWPL cites reminded me of those ridiculous old-ish commercials for Chinet paper plates. The ones that were like, "What are you saying with your Chinet plates?" And then there'd be a montage of WASPy looking individuals holding up plates that said words like "Tradition. Family. Love. Timelessness." Riiight. Because I'd never dream of talking with my fam about our history if they dared to use Dixie plates at the Thanksgiving buffet. The audacity. And at the end of the commercials there was that melodramatic voice claiming, "Nothing says 'you're special' stronger than Chinet." Duh. Even the speaker sounded like she needed further convincing. Side note, even a Chinet plate runs the risk of snapping in half under one of MY heaps of dressing.

Anyway.

I have not documented my semester well at all on this blog, but I have used that time that I haven't spent typing up thoughts exploring the city. And other cities. So rest assured that there will be plenty of storytelling that will unfold over the weeks, months, years when I get back. It's also worth noting that when I had free time to communicate with friends/family, I wanted to spend it actually talking to them (well, "talking" is not the right word, but, you know, communicating... via FB chat, Skype, email and whatnot) rather than blogging to them. Also, for those of you who've expressed interest in my writing before, one of the realizations I've made this semester is that I DO want to write. Maybe not as a permanent career, but definitely as a permanent...something. (Eloquent, I know).

I'll try to at least get in one more post before my semester ends. I've written so little about my actual daily life in Florence, so for the last post I think I'll write about tips and tricks for living here. AKA things that would have been convenient to know from the get-go. And maybe when I'm back stateside, this blog will continue in some capacity. I have a little under a month left here, which is SO bittersweet. I'm pretty sad about it, but I'm excited to spend Christmas with family and friends and to head back to Sewanee in the spring. I know I'll be back in Florence sooner rather than later. :D

Monday, October 4, 2010

crashin' fashion

Ciao tutti!! (Yep, I'm greeting y'all in Italian now. I think I've been here long enough to start doing that. I know, my language skills are impressive.)

Well, it has been a while and there is absolutely no way I can cover all that's been going on lately. I'm not sure anyone out there is reading this anymore, seeing as I haven't posted in almost a month. However, those of you who occasionally visit me on the FB may have noticed that I sorta-kinda went to Milan and got to sorta-kinda experience approximately 4 hours of fashion week. I don't think I've even mentioned this on this blog yet, but I have a sorta-kinda internship (it's a loose term) with a weekly publication for tourists here in Florence. It's a lot of fun, really lax, and is helping get me embedded in the city's culture because I have to seek out people to interview and events to attend. And you never know, I may want to write. For some publication. Someday. But for now, it's a good enough thing in itself.

So one of the main reasons I haven't posted on this blog in forever has to do with the newspaper. I was going to wait to post until I had this VERY exciting news confirmed, and then I was pretty much going to make an elaborate post and brag about it. Cue bad karma! (Well, not bad...just a twist on things, I guess). To make a long story short (many of you have probably heard this already) my editor/coordinator lady was going to get me a press pass to some of the weekend shows during Milan fashion week September 22-28. It ended up not working out. That's the short version. However, I decided to just, well...go...anyway. And I still wrote about it for the paper. (The paper is filled with lots of little editorials, features, and personal-experience-essays and whatnot, so it fit). Since I didn't have a legitimate pass, my piece ended up being basically all about me trying to beat the system and the fun I had along the way more than the clothes and the spectacle of fashion week itself. (I actually had to tone it down/not go into too much detail about some of what went on.) Hope you enjoy.


Crashin' Fashion: A Mississippian Conquers Milan
The words were on the tip of my tongue, ready to escape at any moment. I wanted so badly to wait until my big news was officially confirmed before I told anyone about it, but I was powerless before my own need to brag. Just as I was about to sign off from my lengthy Skype call, I decided to throw in the one sentence I’d been itching to say out loud all day long. “Oh yeah, guess what? I might be getting a press pass to Milan fashion week,” I said casually, awkwardly forcing my facial muscles to halt the slightest indication of giddiness, desperately trying to appear somewhat calm and nonchalant.

On screen, my fabulous friend Benjamin, a 17-year old Karl Lagerfeld in the making, was visibly flabbergasted. He is spending his senior year of high school as an exchange student in Hildesheim, Germany, so we’ve had a few online chats filling each other in on the ups, downs, trials, and thrills of our respective European adventures.

He stated matter-of-factly that he was so inflamed with jealousy that our friendship could no longer continue. Unless, of course, I could bring him back some gift bags and designer goods. Little Ben has an affinity for expensive scarves.

Well, perhaps my eagerness to brag to Ben about the opportunity to attend fashion week with actual accreditation sent me some bad karma. Unable to procure a press pass in time for the weekend shows, I was devastated. The sting of seeing the shops along Via de Tornabuoni on my route to school was an excruciating reminder of “what might have been.” My friend Brittany was planning a weekend trip to Milan, just to visit, not to crash fashion week, and she announced giddily that Kim Kardashian had recently updated her Twitter about arriving in the city. This was the last straw for me, and I snapped: “There are way more important people attending than Kim Kardashian. What did she ever do besides date Reggie Bush? Why not me? Who is she to be invited to fashion week?”

Who, indeed.

I decided that this was an opportunity I could not helplessly watch fall through the cracks. I knew full well that the Big Four fashion weeks enforce security on par with the Pentagon. I also knew full well that I was in Italy, a place somewhat known for leniency and rule-bending. And finally, I knew that if I did not at least make an attempt to get in to some shows, I would forever wonder whether I possibly could have made it past security. There would always be a tinge of regret. A thousand “tinges” of regret is more like it. Try as I might to shake the initial grandiose visions I had of me posing casually alongside Margherita Missoni, I couldn’t. I thought to myself, how often are you in Italy? How often is the timing so perfect? What’s the worst thing that could happen?

And so, after answering those questions, I did what any determined and spirited (or, more accurately, impulsive and stupid) college kid would do: I went anyway.

Worst-case scenario? I would make a complete fool of myself and my wallet would be drained of about 150 euros. Based on experiences in Italy so far, I logically concluded that if I stayed in Florence for the weekend, the exact same scenario had a 95 percent likelihood of occurring. I reasoned that if I were to have no luck, I’d simply spend the day exploring Milan; checking out The Last Supper, visiting the Milan Cathedral, and window-shopping in the Galleria Vittorio Emanuele II. I came abroad for adventure, and surely this day would not disappoint in that area, even if the fashion gods refused to smile upon me.

Saturday morning I rose at the crack of dawn and found myself fighting with fate before the journey even began. My spotty Internet connection was failing me. I’d planned on playing a bootlegging game of connect-the-dots, utilizing fashion blogs and glorious Google to dig up a tentative schedule of Saturday shows. I cursed my luck but remained calm. This was unforeseen, but not unconquerable; surely I could easily find an Internet café in Milan. Time was ticking, and I needed to spend it on more pertinent matters, like how to dress the part.

I recalled some wise words I once read in an article sharing advice for sneaking into New York fashion week: Dress to impress. Be authoritative, not desperate. Act like you belong, and you will. The article was intended to be humorous. Oh, if the writer could see me now, taking her sound “advice” to literal extremes.
This was one of those times that I encountered the all-too-common problem of “a closet full of clothes and nothing to wear.” I knew wearing head-to-toe Dolce & Gabbana would seem pitiful and would give me away as an American poser desperately attempting to dress contextually. Thankfully, that was a non-issue since I cannot even afford to pretend that I own a single D&G garment; maybe if I forked over half my summer-camp paycheck I could purchase a discounted pair of sunglasses from their diffusion line. But there was no time to agonize. I ended up deciding on a simple ensemble: printed BCBG dress, black opaque American Apparel tights, trusty Tory Burch flats. BCBG may be a French label, but the whole look was thoroughly American, thoroughly colorful, thoroughly college-coed-goes-to-church (or maybe an Ole Miss football game), but I was just trying to stay true to myself. (Or, rather, all I own are clothes that are true to myself. There aren’t exactly piles of garments in my wardrobe that scream “Milan!”)

Over the years, I feel I have generally been relatively content with my appearance, but this was one time that I wished I could trade in my cherubic, baby-fat facial features for Ukrainian cheekbones and gazelle limbs. Not because it would affect my quality of life in the long run, but because pretending to be a model would be my ticket “in;” dressed simply in a billowy t-shirt and leggings, my only accessories a cigarette and a surly expression, I would not have to explain myself or my intentions to any scary security men. We all can dream.

At 7:30 a.m. precisely I walked outside, headed for the 8 a.m. train to Milan with only my purse and my pride. The day was off to a dismal start, as the weather was particularly rainy and cold and the streets seemed abandoned. This did not bode well for the rest of the day. But then, just as I passed the Ponte alla Carraia, I saw a woman, the first person I’d seen out and about that morning, clad exceptionally fabulously, dashing somewhere with a Missoni umbrella in hand, stylishly shielding her from the rain. However silly and superstitious it might have been, I felt this had to be a sign that somewhere along the course of the day, the stars would align for me. She was, after all, the first person I had seen that day. I admired her determination to look stylish despite the grim weather. The umbrella itself was a fantastic metaphor: style and grace despite stormy inconveniences. I walked toward Santa Maria Novella with a renewed spring in my step.

This spring was abruptly halted when I was informed that there were no available seats on the 8 a.m. train. The next train with available seating would not be leaving Florence until 10 a.m. A curveball, to be sure, but my morning coffee helped me cope. Things could only look up from here, right?

When I finally boarded the 10 a.m. train, I was seated next to a woman donning the largest and most ridiculous earrings I have ever seen: glittering ceramic replicas of Betty Boop. I averted my eyes and avoided looking at them for the rest of the journey, certain that surrendering to staring at something this tacky would somehow cosmically affect my luck at the fashion shows.

I arrived in Milan on time and immediately made my way to an Internet café, dropping 4 euros for 20 minutes to dig up information on show locations. Finding a schedule was easier than I envisioned, but printing it was a different ordeal entirely. A combination of factors, including the language barrier, the computer’s lack of Acrobat Reader, and my attempts to mask my very politically incorrect shock at the bellowing male voice of the lady behind the counter, resulted in the printing process taking over half an hour. But when I finally left the café, I felt accomplished and prepared.

As I came closer and closer to Palazzo Serbelloni, where the Blumarine show was scheduled to take place, my nerves began to take over and the realization of this day’s utter ridiculousness began to set in. But I’d come this far. I wasn’t backing out now. When I arrived at the Palazzo, I saw hordes of people swarming the streets, no doubt as anxious as me to enter, and probably just as illegitimate. For a brief moment, I was disheartened. But then I thought of the people back home I’d informed of this adventure. I thought back to the initial Skype call where I broke my news (and my good karma), and the question of “what would Ben do?” washed over me. Ben, I decided, would find a way in. I planned to make him proud.

I weaved my way toward the front of the line. Without making even the slightest effort to enter, I could tell that the security men in front were clearly intent on squashing the dreams of young idealists like myself. (Or they were just doing their job. You know, something like that). But a glimmer of hope shone near me. A group of about 15 young Italian girls wandered off to the right, with a short, loud, powerhouse of a woman herding them around the corner of the building. Curious about where they were going, I followed them, trying my best to blend in, figuring I had nothing to lose but my dignity.

Suddenly I found myself at a giant door labeled “Fotografi.” The mysterious short lady lined us all up and in an annoyed tone began tapping each of our heads, counting and then practically shoving us inside. I was baffled as to where I was and how I was not immediately shooed from the group, but I went with it. With Lieutenant Fashionista leading the charge, we walked past security, past photographers, and past signs pointing toward the backstage area. I was absolutely giddy, but tried my hardest to remain stone-faced, mute, and to look as if I had the slightest clue as to what was going on.

We stood outside the stage door for about 15 minutes as tall Glamazons walked outside for cigarette breaks and cell phone calls. I toyed with the idea of trying my luck out front, but I knew if I left, I’d likely never get back in. If this was as close to the fashion festivities that I got all day, I still would have considered it worthwhile. I was staying put.
Within a few minutes, a mysterious man came out of the stage door and motioned for our group to circle up. Remaining calm, I clumped in with the rest of the girls and watched as he held up bracelets, tops, purses, and a particularly heinous gold-studded coral wedge, talking at length about each of the items. Obviously, it was all in Italian and I understood no words apart from scarpe, but I nodded attentively as the rest of the girls were doing, still amazed at my luck thus far. As the coral wedge fell to the floor, he held up his hands and said affirmatively, “Allora,” pointing toward the stage door. And in we walked. In we walked, as casually as if we were walking in to the café down the street. The intimidating men guarding the doors did not question us one bit. I had absolutely no idea what group I had ended up in, but clearly they had some sort of power and permission. And I was content to ride their coattails.

Backstage at Blumarine was utter chaos. It reminded me of my days of high school dance recitals; vivid memories of stage moms, costume changes, and the stenches of hairspray and competition came flooding back. Charts of exit and entry orders were everywhere. The photographers backstage had no mercy and, to the disgust of the stage-manager types, were snapping away at models as they dressed. People were rushing across the overheated room to make last-minute adjustments. The girls were all wearing matching white hair clips, and disaster struck when some models realized theirs were nowhere to be found. A true doppelganger of Catherine Zeta-Jones struck poses for a very pushy photographer despite an angry woman’s yelling for her to focus on preparing for the show rather than making a show backstage.
Caught in the chaos of it all, I was just intent on remaining inconspicuous. I had not said a word since my interaction in the Internet café and I planned to remain quiet. Apparently I had the best luck that way.

The photographers formed a line on the left side of the room when a woman announced that pictures were now permitted. Be cool. Look nonchalant, I told myself as I moseyed up beside a broad-shouldered bodybuilder type, two cameras in hand. Never mind that my tiny Canon Powershot handheld camera was an obvious red flag that I did not belong in the professional photographer line. I snapped away with the best of them, and no one questioned anything. That is, until I accidentally elbowed the bodybuilder, who was clearly on the verge of taking the photo of his career. His face reddened in fury; he took one look at my pathetic personal camera and barked, “Little camera! You need go!”

He had no authority to kick me out, so I simply gave him a sincere apology and moved to an area less apt for taking pictures. I figured I owed it to the professionals. But suddenly I caught wind of a scary conversation taking place. A man was standing at the door, huge Nikon camera in hand, flailing his arms and begging the security officers to let him back inside. “You don’t understand, my bag is in there!” he cried. As one security officer continued to clamp the man’s arm, the other inquired about the location of his bag, went to get it, and promptly proceeded to throw the man outside. I became terrified of experiencing a scenario similar to this one, and decided I was satisfied with the pictures I got and the outrageous story I’d have to share with my friends at home. So, just as the security guys slammed the door, I discreetly and coolly slipped outside, making my way out as if I were simply a visiting friend of a model or, say, legitimately allowed to be there.

Then I turned the corner and bolted down the street before the security officers could even start scratching their heads about who I was and what in the world I was up to.

The insanely good luck I had at Blumarine set a standard for the rest of the day that was not met. The Just Cavalli, Jil Sander, and Pucci shows were all inaccessible (rightfully so, of course), and unattainable press passes swinging from people’s necks seemed to be mocking me all day long. I spotted a woman in line at Jil Sander donning a long-sleeved, acid-wash denim jumpsuit, and I questioned the inherent goodness of humanity when I saw that she was allowed in and I was not. But, at the end of the day, I could have shown up in an Oscar de la Renta ball gown and been denied entry. She may have been an acid-wash denim woman, but the bottom line was that she was still an accredited woman. What it comes down to is who has the pass, period.

But a stroke of good luck can sometimes come to any of us. Though I could not help fantasizing about how the weekend would have gone had I actually been accredited, I was incredibly satisfied with my adventure. Even just seeing the city and feeling the energy of fashion week in the air was exhilarating. The day was gratifying because I worked for, and was determined to get, a tiny glimpse of the goings-on. I wondered if I would appreciate the spectacle and excitement of fashion week if I were someone to whom passes and invites were handed on a silver platter. Something tells me the thrill would not be quite the same.

Fashion in itself can be that way. Sure, it would be nice to be able to purchase any luxury good I wanted on a whim. But knowing that I earned every penny I spent on my favorite Zac Posen bag, for instance, gave me a great sense of accomplishment when I was finally able to buy it. Would Carrie Bradshaw get such thrills from her giant collection of Manolos if Mr. Big had bought all of them for her? Of course not. Knowing that I made this loony adventure happen for myself made the day all the more storied, interesting, and hilarious. I have a feeling that if I were to compare my experience with those of seasoned fashion editors and designers, mine would be fresher; I got a taste of the excitement without the world-weariness and cynicism that so often comes to those for whom glamour is an expectation. Grazie, Milano.